Every
professional
storyteller
once asked
this same
question.
Even if
you are
considering
becoming a
"just-for-fun"
storyteller,
you are
likely
filled
with some
anxieties,
apprehensions,
and lots
of
questions
about the
process.
"How do I
begin?"
"Will
folks
laugh at
me?" "How
do I book
my first
gig?"
"When do I
charge?"
And the
list of
questions
goes on
and on.
All of
today’s
"pros"
reached
the point
of
professional
status in
a
different
manner—and
all of
them
jumped
many
hurdles.
We can
offer a
series of
suggestions
for how to
begin the
process,
and you
may
explore
them
according
to your
own
interests
and needs.
Do keep in
mind that
they are
intentionally
generic,
but you
can "get
there"
with a
combination
of these
hints and
your own
knowledge
and
experience.
WHAT IS MY
FIRST
STEP?
Find a
story that
you feel
you will
TRULY WANT
to tell.
If you
aren’t
"sold" on
the story,
it will
"show"
when you
tell it.
Your body
language
will
reflect
how much
you like
(or
dislike)
the story.
WHERE DO I
FIND MY
FIRST
STORY?
There are
several
places.
Consider
the
following:
(1) There
are many
volumes of
story
collections
in the
398.2
sections
of
practically
all
libraries.
Most
librarians
are very
eager to
assist you
in
selecting
some
anthologies
that might
fit your
interests.
Also ask
your
librarian
to show
you some
popular
children’s
books as
possibilities.
Be aware
of the
fact that
you may
find
yourself
reading
dozens (or
even
hundreds)
of stories
before one
reaches
out and
"grabs"
you.
(2) Look
in your
own life
for any
possible
personal
stories
you might
want to
craft. Be
careful,
however,
because
many new
tellers
tend to
make these
personal
stories
much too
loooooonnnnnnggggg
for most
audiences.
If the
stories
you tell
will
likely be
ones that
you create
about your
own life,
listen to
the
personal
stories
designed
by the
professionals
and see
how they
have made
them
appealing
to
listeners
(but don’t
replicate
their
stories).
(3)
Examine
your own
story
collections.
Even
stories
you loved
as a child
may prove
interesting
possibilities.
(4)
Explore
the
storytelling
material
in public
domain.
These will
not need
later
permissions
for you to
use them
in your
storytelling
programs.
(4) Listen
to story
recordings
done by
the
professionals—BUT
don’t
"borrow"
their
stories.
They’ve
put in
countless
hours to
craft and
deliver
these
stories to
perfection,
and if you
find one
you
absolutely
MUST
learn,
then FIRST
contact
the teller
for
permission.
Honor the
answer you
receive.
This same
principle
applies to
any
copyrighted
story.
AFTER I
FIND THIS
STORY,
THEN HOW
DO I LEARN
IT?
There are
several
methods
used by
the pros.
Probably
the most
common is
as
follows:
Read the
story over
MANY times
until the
story’s
"voice"
becomes
very
familiar.
Then
practice
with the
first part
of the
story
until it
feels
right
coming
from YOUR
voice.
Continue
with each
section of
the story
until
you’ve
reached
its end.
WHAT ABOUT
MEMORIZING
THE
STORY?
This can
get you
into DEEP
trouble—although
it is
the method
several
tellers
use.
Consider
trying to
put the
story in
your own
natural
language
so that if
you ever
get
"stuck,"
you can
continue
with your
own
conversational
patterns.
If you are
depending
upon
strict
memorization,
something
can cause
you to
"lose
track,"
then you
are in a
bind with
your
listeners.
Do keep in
mind,
however,
that
literary
material
should
remain
true to
the
original
language.
Also, a
very few
authors
will not
agree for
their
stories to
be told
unless it
is "word
for word."
If either
of these
applies to
you, then
decide
whether or
not you
should
select a
different
story to
learn.
WHEN WILL
I BE READY
TO TELL MY
FIRST
STORY?
This
depends
upon how
adventuresome
you are.
Many
storytelling
workshop
leaders
suggest
that you
"tell the
story to
the wall"
several
dozen
times
before you
have a
"real
audience."
Others
suggest
that you
begin with
a very
SMALL
audience
and admit
that your
story is a
work in
progress
(so they
won’t
expect
perfection).
BUT I’M
NERVOUS!
WILL THE
AUDIENCE
LAUGH AT
ME?
We will
give you
an
emphatic
"NO." They
WON’T
laugh at
you.
Audiences
are on
YOUR SIDE.
They WANT
you to
succeed.
They
wouldn’t
be there
in
attendance
if they
didn’t
want to
hear some
good
stories.
However,
you WILL
have
BUTTERFLIES,
and you
will
likely
feel lots
of
apprehensions
about your
performance.
Please
know that
this
feeling is
"human,"
and even
the
professionals
who have
been
telling
for YEARS
have these
same
butterflies.
JUST ACT
CONFIDENT
and by so
doing,
you’ll
give the
audience
the
feeling
that you
are in
control.
Even if
you KNOW
that your
knees are
shaking,
the
audience
WON’T know
it (unless
you
"announce"
it).
NOW I’M
READY.
WHAT’S
NEXT?
Find
listeners
who will
serve as
an
audience
for your
initial
storytelling
practice.
In a
non-apologetic
manner,
tell these
listeners
that it is
your first
performance
and that
you are
honored
they will
be your
audience.
(This sets
up a
positive
mindset
for them.)
After your
story, you
might ask
these
listeners
what they
liked
about your
story and
encourage
them to
discuss
your
performance
with you.
When you
are ready,
ask them
for
suggestions
that might
improve
your story
delivery.
This type
of
feedback
should
wait until
YOU are
ready for
it. It’s
OK just to
"tell" the
story a
few times
without
anyone’s
opinion.
Many areas
across the
nation
have local
storytelling
guilds
that are
designed
specifically
for the
purpose of
helping
tellers
fine-tune
their
performances.
Check with
us at NSN
to see if
one is
near you.
THEN
WHAT?
After you
have
performed
for a few
small and
comfortable
groups,
challenge
yourself
by finding
a larger
audience.
This could
be a local
school, a
neighborhood
scout
troop, or
a group of
people in
your
community
that would
appreciate
hearing
your
stories.
Before you
tell in
these more
challenging
situations,
review the
feedback
you
received
from your
smaller
groups,
and
practice,
practice,
practice,
and
practice
some more.
OK, I’VE
WORN OUT
MY "ONE"
STORY….
Find some
new
stories
that
appeal to
you. Keep
reading...
and
reading...
and
reading.
Have fun
in this
new story
selection
process,
but keep
in mind
that you
may have
to drop
some
stories
from your
repertoire
because
you wound
up being
uncomfortable
for some
reason
when you
told them.
NOW I’M
READY TO
CHARGE!
HOW DO I
DETERMINE
A PRICE?
Across the
country
the fees
vary with
region and
storytelling
expertise.
Call some
tellers
who live
near you
and ask
about the
going
rates. If
you’re NEW
to the
field, you
might not
be able to
ask as
much as
those who
have been
professional
for
awhile.
When asked
about your
fees,
consider
responding
with, "My
standard
price is
($XX), but
I’m
negotiable.
How does
my
suggested
price fit
your
current
budget?"
NOW WHAT?
Tell,
tell,
tell,
tell, and
tell some
more. It’s
the
repeated
experiences
of telling
that allow
you to
tweak and
refine
both your
storytelling
content
and
delivery.
Those of
us at NSN
wish you a
long and
happy
experience
with your
storytelling.
Let us
know how
we can be
of
assistance
to you. |